Showing posts with label DRAMA. Show all posts
Showing posts with label DRAMA. Show all posts

Sunday, October 27, 2013

Ender's Game, chapter fourteen, part two, in which the plan works perfectly

So there was no Ender post last weekend.  That was a thing that didn't happen, because my brain was exhausted from a marathon tabletop RPG session the day before.  My first attempt at GMing!  It was good times.  So, to make it all up to you, I'm going to blitz through the entire remainder of the chapter.  This is because we are friends, and not because there are a lot of 'action' sequences in this part of the book that are really easy to skim over.  It's time for the final campaign!  It is time for the game to ender.  End.  Warning: incoming game.

(Content: sexism, self-harm, genocide apologetics. Fun content: trailers that lie, Bustopher Kobayashi.)

Ender's Game: p. 273--304

Ender gets to the game room and the controls are gone, replaced with a switchboard.  He'll be playing as commander from now on, with a team of lieutenants, who speak as soon as he puts on the headphones:
"Salaam," said a whisper in his ears. 
"Alai," said Ender. 
"And me, the dwarf." 
"Bean." 
And Petra, and Dink; Crazy Tom, Shen, Hot Soup, Fly Molo, Carn Carby, all the best students Ender had fought with or fought against, everyone that Ender had trusted in Battle School.
And the scarecrow and the tin man and so forth.  We're told there are three dozen of them in total, despite Card having run out of recognisable names after nine of them.  A couple more names will come up over the course of the chapter, and Ender's Shadow.  Vlad.  Who was Vlad?  I feel like I would have remembered a Vlad.  Still, twenty-six more unnamed heroes helping save the world!  I'm just going to assume at least one of them is named Bustopher Kobayashi.  If Card didn't want this to happen, he should have said there was only a team of a dozen.  Was he afraid Ender wouldn't seem special enough if his elite team was too elite?  Also, they made a huge deal about bringing Ender to Eros, but nine months later they ship in thirty-six more kids like it's no big thing?  And it's not like they're all the ultimate geniuses--Shen's biggest on-page achievement so far is refusing to let catcalls get to him a few years ago.  Is it just narrative convenience that Battle School's greatest students are all Ender's best friends, or are they giving him his friends regardless of their skill level?  The latter is sort of plausible, but it will fail utterly in short order.

They start having a great time with the games now that they are reunited, and over the next three weeks of practices Ender gets to know everyone's skillset: Dink is great with orders but terrible at improvisation (despite having had years more command experience than Ender--remember, he was a commander even in Rat when he had his independent toon), Bean gets overwhelmed with large groups but shreds up with a small strike force (that will get retconned to bits in Shadow), and Alai is a master strategist almost equal to Ender (not that we've ever seen or ever will see proof of this, nor will it affect the plot at all; Ender suggests replacing himself with Alai at one point but Mazer shoots it down instantly by telling Ender to "be honest").

Ender and Mazer analyse the latest practice and observe that his team basically moves like a formic fleet now, their coordination is so perfect, but they still have independent thought and innovation.  Go humanity.  So now it's time for the next course of testing, in which they'll simulate an entire invasion campaign just like the one that's going to really happen when the fleet arrives.  Mazer also takes a moment to tell Ender not to complain about how hard it is going to get, because he lost his wife to time-travel, which is a pretty good trump card.  (Did she not want to come along?  Did they think it was too expensive to send her too, ignoring as usual the possibility of compromising their own geniuses with crushing despair?)

The next morning, at 0340, Mazer rouses Ender from a dream of being vivisected and brain-scanned by the formics and takes him to his first campaign mission.  They chatter about who'll take what ships (Alai, Petra, and Vlad share a carrier's complement of fighters) and Ender assigns Bean one fighter from each carrier, which echoes back to his Ridiculous Ops squad, but seems like a terrible idea to me in this kind of scenario.  If he sees something that requires a ship from someone else's group, can't he just relay the command?  What do squadrons get out of having one of their fighters inexplicably not under their own control?

The formics have a spherical formation with an obvious core ship that Ender realises they want him to believe is the queen.  Ender ignores it and orders them to try to compress the formation, not telling his friends about Dr Device as they protest the weirdness, and then they sit back to watch as Alai's first shot devours the fleet in a chain reaction.  Mazer explains that, for a proper campaign, they had to have one fight in which the formics didn't know what the humans could do, and they'll learn rapidly from now on.  He then proceeds to critique their technique, and gets increasingly harsh--a harshness that Ender passes on to his team.
"You're too kind to us," said Alai one day.  "Why don't you get annoyed with us for not being brilliant every moment of every practice.  If you keep coddling us like this we'll think you like us." 
Some of the others laughed into their microphones.  Ender recognized the irony, of course, and answered with a long silence.  When he finally spoke, he ignored Alai's complaint.  "Again," he said, "and this time without self-pity."  They did it again, and did it right.
Their friendship withers, their trust in Ender as a commander grows, and somehow Ender knows that "it was to each other that they became close; it was with each other that they exchanged confidences", even though he never talks to them outside of game time or sees them in person at all.  Obviously, this makes them all even more effective soldiers, because the Enderverse runs on the Omelas principle and making people sad and wounded always makes everything around them better.  I bet whichever general thought they should supply Ender with his friends instead of all their assorted best students is feeling kind of stupid now.

Ender starts having more nightmares, dreaming of the Giant's corpse shaped into a formic village, and child-faced wolves that hunt him, not just the obvious threats like Peter and Bonzo, but Alai and Valentine and Dink, but in his dreams he still kills them all in the river, sobbing as he does so.  He accuses Mazer of cheating at programming the game, and feels like his dreams are being watched.  This section is just randomly trippy on its own, but it's foreshadowing a bunch of stuff, which is sort of cool.  It'd work better for me if more of the stuff it was foreshadowing was in this book and not the sequels, but this is what happens when a standalone novel gets drafted into becoming backstory for an unrelated series.

It finally occurs to Ender that all this psychological stress might be affecting his brilliance, but the first big burnout is Petra, and the contrast between the way it's described here and the way it will be in Shadow is interesting.  In Shadow she literally blacks out in the middle of a battle because eleven-year-old children are mortal; here she just makes a stupid maneuver, "and she discovered it in a moment when Ender wasn't with her" and gets shot up.  When Ender does notice, he immediately tosses command of the surviving ships to Tom and has to salvage the battle because Petra's forces were the core of his strategy.
Ender knew at once that he had pushed her too hard--because of her brilliance he had called on her to play far more often and under much more demanding circumstances that all but a few of the others.
So, I'm mixed on this.  Petra falters because she's been pushed too hard, and she's been pushed too hard because she's too awesome not to use, but "a few of the others" like Bustopher Kobayashi have been even pushed harder and they're apparently doing fine.  Ender's pushing himself even harder and he still reacts as perfectly as he can, because Petra needs handholding through emergencies?  Shen saves the day with a perfect Dr Device shot that eats a swarm of the enemy, and Fly Molo mops up.
She was not there for the next few practices, and when she did come back she was not as quick as she had been, not as daring.  Much of what had made her a good commander was lost.  Ender couldn't use her anymore, except in routine, closely supervised assignments.  She was no fool.  She knew what had happened. [....] The fact remained that she had broken, and she was far from being the weakest of his squad leaders.
I try not to link to TVtropes very often, but this is just such a flawless Faux Action Girl scenario.  Petra, we're told, is totally hardcore and badass and brilliant.  She also fails, utterly, and never recovers, and is the only girl we're aware of in the entire group.  If you believe what the narrative tells you, then there's nothing wrong with this because Petra is so strong.  If you consider the narrative unreliable for two seconds, Petra has been just barely not good enough for the entire book and of course the girl needs her hand held through everything.  This comment thread also has some good previous discussion, if you missed it.

Ender's stress continues to mount; he chews his hand in his sleep until it has to be treated by a medic, and starts getting ideas like thinking that any prior candidate who washed out died--he doesn't say whether he thinks they get executed or if they just wasted away or what, but Mazer assures him this is ridiculous and he's perfectly safe.
"I think that Bonzo died.  I dreamed about it last night.  I remember the way he looked after I jammed his face with my head. [....] My whole life keeps playing out as if I were a recorder and someone else wanted to watch the most terrible parts of my life." 
"We can't drug you if that's what you're hoping for.  I'm sorry if you have bad dreams.  Should we leave the light on at night?" 
"Don't make fun of me!" Ender said.  "I think I'm going crazy."
But Mazer remains unsympathetic and so Ender resolves not to tell him about this ever again, and continues to weaken.  The battles get worse, longer, he has to rotate commanders in the same battle, then one day Ender blacks out in the middle of practice and is confined to bed for three days, then back to battles every day.
During the night he thought he felt hands touching him gently.  Hands with affection in them, and gentleness.  He dreamed he heard voices. 
"You haven't been kind to him." 
"That wasn't the assignment." 
"How long can he go on?  He's breaking down." 
"Long enough.  It's nearly finished." [....] 
"I can't bear to see what this is doing to him." [...] 
"I know.  I love him too."
So here we have Mazer and Graff acting as audience surrogates to be ineffectually kind to Ender.  Of course this kindness takes the form of unsolicited touching and invading his privacy at night, because that is how these jackwagons roll.  Ender thinks he's dreaming it: "If there was love or pity for him, it was only in his dreams.  He woke up and fought another battle and won.  Then he went to bed and slept again and dreamed again and then he woke up and won again and slept again and he hardly noticed when waking became sleeping".

And then one day he wakes up and no one's there to shepherd him around, but he can't think of anything he could do other than eat breakfast and go to practice.  There are other people in the simulator room, but he doesn't ask; Mazer explains that today is his final exam and these are the evaluators.  Mazer adds that to switch things up, the test battle will occur around a planet, and Ender lists a few effects (gravity changing fuel costs):
"Does the Little Doctor work against a planet?" 
Mazer's face went rigid.  "Ender, the buggers never deliberately attacked a civilian population in either invasion.  You decide whether it would be wise to adopt a strategy that would invite reprisals."
Humans are raised on vids of terror; one of the famous incidents of the First Invasion was the Scouring of China; suddenly they only ever struck purely military installations?!  If they weren't slaughtering civilians, ever, why is the military so convinced this is a war of extermination?  How does this not raise any questions in anyone's minds?

Ender runs through some warm-ups with his team and muses on what training will be left for him between today and the war.
And as he waited for the game to appear, he wished he could simply lose it, lose the battle badly and completely so that they would remove him from training, like Bonzo, and let him go home. [....] Failure meant he could go home.
Then the battle appears: ten thousand formic ships swarming around a planet, constantly shifting through random patterns, versus his own twenty old-model carriers with eighty fighters.  Ender hears his team breathing heavily over their microphones (hot) and one of the evaluators swears behind him.  They start to shift nervously as they realise how unevenly matched it is.

Ender once said that all Bonzo knew how to do was fail with style.
"Remember, the enemy's gate is down."
Bean says that, and they all laugh.  Ender decides to remember that it's just a game and so to pursue a strategy that breaks Mazer's rules.  He won his last game in the battleroom by ignoring the armies and going for the gate.  ender decides that if he goes for the war crime, they'll consider him too dangerous to put in command, "and that is victory".  He orders the ships into a 'thick cylinder', to better penetrate the enemy formation, and the enemy happily engulfs him.  Supply your own subtext.  Ender's ships fly in seemingly random patterns, then at a word they burst in all directions, firing madly, then at another a dozen fighters form up on the far side of the enemy fleet and dive for the planet.  The formics cut off his escape, but he doesn't care anyway, because the only point is to get close enough to fire on the planet.

In three seconds, the planet is gone and the fleets as well, with only a few human ships surviving at the edge of the system.
Ender took off his headphones, filled with the cheers of his squadron leaders, and only then realized that there was just as much noise in the room with him.  Men in uniform were hugging each other, laughing, shouting; others were weeping; some knelt or lay prostrate, and Ender knew they were caught up in prayer.  Ender didn't understand.  It seemed all wrong.  They were supposed to be angry.
Graff and Mazer embrace him and thank him, tell him how proud they are.  Ender remains confused until Mazer explains that the entire campaign up to this point wasn't testing, but the actual campaign, humans versus formics, and Ender has just won the war forever by destroying all their queens and committing xenocide.  Ender walks out of the room, ignoring everyone, back to his room, strips down [drink!] and gets into bed.  He wakes up to find Graff and Mazer in the room, informing him that Earth has heard what happened and every government in the world has given him their highest medal.

So here, in full, is the defence of this entire book.
Ender grabbed Mazer's uniform and hung onto it, pulling him down so they were face to face.  "I didn't want to kill them all.  I didn't want to kill anybody!  I'm not a killer!  You didn't want me, you bastards, you wanted Peter, but you made me do it, you tricked me into it!"  He was crying.  He was out of control.
"Of course we tricked you into it.  That's the whole point," said Graff.  "It had to be a trick or you couldn't have done it.  It's the bind we were in.  We had to have a commander with so much empathy that he would think like the buggers, understand them and anticipate them.  So much compassion that he could win the love of his underlings and work with them like a perfect machine, as perfect as the buggers.  But somebody with that much compassion could never be the killer we needed.  Could never go into battle willing to win at all costs.  If you knew, you couldn't do it.  If you were the kind of person who would do it even if you knew, you could never have understood the buggers well enough." 
I don't know what to say to this that I haven't said before.  Ender's big thing at Eros has been lack of compassion, has been his refusal to be any kinder to his subordinates than Mazer has been to him.  If he had been given a raft of brilliant lieutenants who had never met him before, they'd have quite reasonably hated him even if he was a genius.  He's running on the love that he supposedly earned from them back when he was in Battle School.  Maybe that's why they shipped in Bean and Dink and Bustopher, so that Ender would have subordinates who would put up with his hardassedness.  'Compassion' as a superweapon would also have worked better if it were clear how it actually affected Ender's strategy--it's been a long time since he needed to, for example, identify a queen in an enemy fleet.
"And it had to be a child, Ender," said Mazer.  "You were faster than me.  Better than me.  I was too old and cautious.  Any decent person who knows what warfare is can never go into battle with a whole heart.  But you didn't know.  We made sure you didn't know."
Well, apparently any decent person except the ones who plan the campaign, deploy fighters, and pull the trigger to destroy a civilisation.  Who planned this war?  I mean, the ships have been in flight for seventy years and they successfully scheduled them all to arrive over the course of, what, two, three weeks?  Just to maximise the possible burnout of their tacticians?  The formic worlds are light-years apart and communications are instant, so there's no actual tactical value in hitting everywhere at once; they can't reinforce each other world-to-world.  The battles could have been spread out over months to the same effect.  Don't generals like Ender normally have some say in the way the war proceeds and not just individual firefights?  What was the entire invasion fleet for, anyway?  Wouldn't ansible-equipped drones have been about a jillion times more effective, what with being able to survive much greater physical stresses and save room/weight on life support?  That way those could also have been piloted by genius children who think they're playing a video game.  Has Earth ever had a competent Polemarch or Strategos or whoever planned this gong show?  (Actually, it turns out Mazer plotted the campaign.  Graff reprimands him for not leaving the minor outposts for later.  Mazer tells him to screw off.)

Anyway, just as Peter and Valentine predicted, Earth has erupted into war.  The Russian soldiers aboard Eros are leading an attack, and so Ender is locked down under guard.  He dreams, has nightmares of the Giant's Drink again and of the End of the World, where he watches the formic homeworld burst and sees the Queen except it's his mom and her children are his friends and a dying formic is Bonzo accusing him of having no honor and his reflection is Peter.  And at last he wakes up and Alai is there in his room, and there was much rejoicing.
"Some of the Russians who came in told us that when the Polemarch ordered them to find you and kill you, they almost killed him. [....] There's a million soldiers who'd follow you to the end of the universe."
Ender just wants to go home--good luck with that.  The war ends, the lights come on, and Bean enters the room, followed by Bustopher, and Petra and Dink holding hands because of course she needs a man.  They further explain the terms of the peace, stuff that won't be relevant until the second Shadow book.  The banter is mostly pretty sweet and realistic.  And maybe others don't read it the same way, but recalling what Dink taught Ender while naked in the battleroom ages ago:
"You OK?" Petra asked him, touching his head.  "You scared us.  They said you were crazy, and we said they were crazy." 
"I'm crazy," said Ender.  "But I think I'm OK."
I could be wrong, but I'm pretty sure that the message that mental illness is not shameful, not a mark or cause of evil, and not life-defining is the only consistent positive message in this entire book.

They joke about what they'll do next, and how they'll probably be forced to go to school until they're 17 because it's the law, and the chapter has the chutzpah to give us an Everybody Laughs Ending after slaughtering an entire species.  But at least they were a species of monsters!  And the people we like are alive!  And if you talk to enough fans of Ender's Game, you'll find that some people stop here, because they aggressively miss the point.  The graphic novel stops here.  I'll be curious to see if the movie stops here.  There's one more chapter to go, and it's not easy, but it's the only chance this book has at redemption.  Next week: everything is terrible forever.

Sunday, September 15, 2013

Ender's Game, chapter eleven, in which we get down to the WINNING

This chapter mostly consists of Ender winning at everything.  To my shock, the first half is probably my favourite part of the entire book.  Honestly didn't see that coming.


(Content: bullying, fat shame.  Fun content: this chapter is actually mostly not awful.)

Ender's Game: p. 173--199
Chapter Eleven: Veni Vidi Vici

Ender has had Dragon Army for three and a half weeks and Major Anderson has delivered the schedule of battles to Graff, to begin immediately--from Graff's reaction, we may conclude that it is rickdiculous.  Anderson and Graff discuss the reliability of the computer projections, with Graff protesting that the computer is famously merciless:
"I just have this picture of Ender a year from now.  Completely useless, worn out, because he was pushed farther than he or any living person could go." 
"We told the computer that our highest priority was having the subject remain useful after the training program." [....] 
"My eagerness to sacrifice little children in order to save mankind is wearing thin."
This shocking turn for the not-supervillain in Graff is inspired by the work of Peter and Valentine, more specifically Demosthenes, as the nets are now filled with people speculating on how the first post-alien job for the Fleet should be to dismantle the Russian empire.  Graff considers this to be a stupid nationalistic rivalry that brings into question whether humanity deserves preservation.  Huge irony, given that the human-Formic war is ultimately a nationalistic rivalry brought about by failure to communicate; I'm going to be nice and assume Card means for it to retroactively appear that way.

Ender lies in his bunk at night, mulling his army--apparently he never sleeps more than five hours a night now, and so has plenty of time to think.  His ten outcast veterans have, in three weeks, transformed into capable leaders, so he's broken his 40 soldiers into five toons of 8, which can then split into half-toons of 4 under the the leader and secondary, which does sound interesting, although the narrative must belabour for us how most armies only practice huge mass formations with "preformed strategies":
Ender had none.  Instead he trained his toon leaders to us their small units effectively in achieving limited goals.  Unsupported, alone, on their own initiative. [....] He knew, with less than a month of training, that his army had the potential of being to best fighting group ever to play the game.
 (Ender's Classmates Are Legitimately As Smart As Him tally: 3)

Ignoring the fact that three weeks with Ender apparently turns a green seven-year-old into a devastating war machine, this is actually one of the parts I rather like, and we have been setting up for it.  Most of Ender's genius through this section of the book applies outside the battleroom: instead of constantly directing soldiers to move as he wills, he focuses heavily on training subcommanders, figures out a general shape of approach on the enemy, and then unleashes them and trusts them to do well.  There still won't be much discussion of coordination and communication during battle, but it's at least hinted at.

Ender wonders whether his army was secretly stacked in his favour with hidden potential, "or was this what any similar group could become under a commander who knew what he wanted his army to do, and knew how to teach them to do it?"  Ender's Shadow spoiler: it's the first one.  I'm a bit curious now what would happen if Ender had to work with seriously unhelpful and unsuitable soldiers.

Anyway, in the middle of the night he gets the notification that he's fighting Rabbit Army in the morning, and at 0601 next morning he's at the Dragon barracks to tell them it's time to run through the halls naked.  [Drink!]  Anyone who doesn't already sleep naked strips down, tucks their flash suit under their arm, and they jog down to the gym to warm up, obstacle course and trampoline and such.  The excitement of the incoming battle gets so high that some of them start wrestling.  Still naked.  Just sayin'.

They dress and jog to the battleroom, and along the way Ender occasionally jumps to touch the ceiling and everyone in line behind him touches the same point, and I actually kind of love this bit.  Forgetting where I am for a moment, this whole sequence evokes the atmosphere for me well--it has the energy that I love about waking up early in the morning, well-rested with the day full of potential and something big to anticipate.  The camaraderie even comes through, now that Ender has stopped with the regulation shouting.  Even the battleroom is grey-lit like the midpart of dawn.  I dunno if this bit works as well if you're not a morning person.

Ender sizes up the grid of stars in the battleroom, gives some basic directions and contingencies, and they deploy, while Rabbit Army creates their formation at the far end.  Ender reflects on how in any previous army he'd be worrying about his own place in the formation at a time like this, and I wonder why three years of following the stolid old tactics haven't damaged his genius, if we're supposed to think that actually reading about existing military theory somehow would.

The battle lasts for about a page, three minutes, and mostly consists of Ender's forces feeling bad that Rabbit Army doesn't realise how completely out-of-date formation warfare is.  We briefly meet Crazy Tom, leader of C toon, and Han Tzu/"Hot Soup", D leader. They carve up flawlessly, losing only one Dragon, even better than Ender expected.  Obviously.

Carn Carby is mild about his defeat, having only been promoted at age 12 instead of them cocky 11-year-old whippersnappers.  Ender makes a mental note to have similar dignity when he is defeated someday, a remarkable flash of humility--I said this was a weirdly good chapter.  Ender skips breakfast because food is for losers (it's not all good) and showers twice while thinking about how awesome he is.  At practice, he's back to being a hardass, but still no shouting: he just observes that their aim is still wretched and sets them to groups, and the narrative points out that one-on-one Ender is infinitely patient and constructive, drifting around dispensing advice, presumably sitting on a lotus blossom and radiating sunlight.

At lunch, he arrives at the commanders' mess, and of course on the scoreboard Dragon is top in everything, since it ranks by unweighted percentages: zero defeats, few casualties, shortest victory.  Everyone forcibly ignores Ender until Dink Meeker arrives halfway through lunch.  Sadly, the Dinktron 4X Victory And Friendship Unit continues to be a pale shadow of the original.  Ender insists that his victory was not a fluke or easy:
"Carn Carby isn't exactly on the bottom of the rankings."  It was true.  Carby was just about in the middle. 
"He's okay," Dink said, "considering that he only just started.  Shows some promise.  You don't show promise.  You show threat." 
"Threat to what?  Do they feed you less if I win?  I thought you told me this was all a stupid game and none of it mattered." 
Dink didn't like having his words thrown back at him, not under these circumstances.  "You were the one who got me playing along with them.  But I'm not playing games with you, Ender.  You won't beat me."
So much for characterisation.  Dink moves on and Ender scans the other commanders, including Petra and Bonzo.  Math interlude: commanders normally get promoted at 11 or 12, and students normally graduate at 13.  Bonzo was a commander, and not brand-new, when Ender was less than 7.  Bonzo can't be younger than 14 now, plausibly 15.  Graff is keeping him in the school for years extra for the sole purpose of being Ender's nemesis, even though they haven't apparently interacted since Ender was 8.  Graff might have sympathy for Ender still, but he's quite literally plotting Bonzo's death.

Carn Carby, at least, is a cheerful guy:
"Right now I'm in disgrace," he said frankly.  "They won't believe me when I tell them you did things that nobody's ever seen before.  So I hope you beat the snot out of the next army you fight.  As a favour to me."
He goes on about how commanders normally get a cheer when they first arrive, because they only join the commanders' mess after their first win and have several losses, but Ender obviously deserves a cheer and instead he's getting frozen out.  Ender "mentally added him to his private list of people who also qualified as human beings", because apparently the only way Commander Empathy grants you personhood is if you're kind of obsequiously nice to him personally.  Idea, Ender: maybe Petra's just wondering why the hell you didn't share your god mode strategies with her at some point over the last two years when you were her second-in-command.

Next morning, they're immediately sent up against Petra and Phoenix Army, and the Dragons are upset about the late notice and getting battles two days in a row, not believing it until A toon leader Fly Molo reads the order himself.  There's more banter and Ender and Bean snark at each other a little, in case we thought they had become friends off-page.

Phoenix Army takes out 12 Dragons before they're down, and Petra is predictably furious, but Ender figures that once he steamrolls a few more armies she'll realise she hit Dragon harder than anyone will again.  A week later, he's right--they've fought a battle every day, won all, and none have done better than Phoenix.  Ender freely tells anyone who asks how he won his latest battle, because he's done with humility and he's "confident that few of them would know how to train their soldiers and their toon leaders to duplicate what his could do".  Ender, your secret shouty training methods are basically stolen directly from TVtropes.  Tone down the ego.
There were many, too, who hated him.  Hated him for being young, for being excellent, for having made their victories look paltry and weak.
Possibly also for being insufferably smug about it?  Despite Ender's conviction that people are only people if he says so, other meatbags do have feelings and brains, and Ender strikes me as the type who thinks he's far more poker-faced and enigmatic than he really is.  The sort to think that no one around him can tell how much contempt he feels for them.  He starts getting bullied again in traditional grade school manner, shunned in the lunchroom and shoved around in the halls and pelted with spitballs.
Ender despised them--but secretly, so secretly that he didn't even know it himself, he feared them.  It was just such little torments that Peter had always used, and Ender was beginning to feel far too much at home.
I'm not buying this.  Peter is a Machiavellian egotist, a manipulator and a psychological abuser.  When would he ever have thought spitballs weren't beneath him?  Jostling people in the hall?  This is just more of the Peter-is-bad-therefore-everything-bad-is-Peter illogic.  I notice that it consistently pops up in the times when Ender is most obviously supposed to be the reader-insert for Underappreciated Smart Children.  Need to think about whether there's a clearer link there beyond simple projection of all Ender's issues onto his Evil Brother.

Ender's techniques have begun to suffuse the school again, kneeling attacks (didn't that one already become standard years ago?) and sliding along the walls to prevent flanking.  Since Ender has nothing to learn from other people (Alai is still kept away by narrative fiat) he starts spending more time in the video room, watching films of Mazer Rackham and the battles of the previous two alien wars.  He has to skip a lot of propaganda:
But Ender began to see how well the buggers used seemingly random flight paths to create confusion, how they used decoys and false retreats to draw the I.F. ships into traps. [....] He began to see things that the official commentators never mentioned.  They were always trying to arouse pride in human accomplishments and loathing of the buggers, but Ender began to wonder how humanity had won at all.
You and me and all our readers, Ender.  He tries to learn strategy from watching the aliens instead, though their overall strategy is straightforward and he sees no sign of individual ingenuity, which he blames on strict discipline.  Mazer Rackham's actual victory is also blatantly censored, with videos that show the huge alien fleet victorious over the human defences, Mazer's tiny strike force darting in, firing the first shot, and then cutting away.  This is pretty good foreshadowing on Card's part, but given the tremendous secrets involved, I am baffled as to why they'd even show that much.  Alternatively, it's at least the 2100s by now if not 2200s; they can't CGI something together for a fake battle?  After all his forethought about the internet, Card seems to have missed the potential of Photoshop.  Narratively, instead of being a big question mark, it would be an opportunity for Ender to be deeply unimpressed by the apparent ultimate final battle, and become convinced that it was fake because it looked so amateur.

Graff calls Ender into his office, where there is some notice about how super-fat the Colonel has become because god only knows; evil makes you fat or vice-versa.  It's a rather boring conversation and Ender gives terse answers to everything: how is he, how are his soldiers, why is he watching invasion vids, why doesn't he play the mind game anymore.  Ender bitterly laughs off the idea that they want him to be happy and assures them that they are succeeding at turning him into the greatest soldier ever, and asks to be given a real challenge.  They hand him the order to fight Salamander Army in ten minutes.  Dragon is still in the showers from their morning battle and practice, and again unwilling to believe it:
"Same day nobody ever do two battles!" said Crazy Tom. 
Ender answered in the same tone.  "Nobody ever beat Dragon Army, either.  This be your big chance to lose?"
I feel we're missing some fingersnaps in here, maybe a 'gnarly'.

When they arrive, the gate has been open for at least five minutes and Salamander is nowhere to be seen.  The room is bright and cavernously empty, and Ender immediately figures out that Salamander has deployed around the Dragon gate, ready to open fire as soon as they come through.  He has Crazy Tom kneel and freezes him, then has Bean kneel on Tom's legs, stick his arms under Tom's, and the result is that Bean is dual-wielding lasers inside a human armorsuit.  They set up a bunch of these, have other soldiers toss them through (facing the gate) and immediately start firing.  It takes less than a minute for the Dragons to wipe Salamander out.

Ender is furious with Anderson and has Bean describe how he'd have fought Dragon (constantly shifting movement around the door), apparently not caring that adding "As long as you're cheating [...] why don't you train the other army to cheat intelligently" will enrage Bonzo even more.  Seriously: this battle, these circumstances, it could not be more obvious that Graff meant to re-ignite their rivalry.  He is trying to get Bonzo killed.

Ender texts Bean to see him that night, ten minutes before lights out.  Bean thinks like a normal soldier, exhausted, average, which will look very weird when this scene comes back in Shadow.  Ender queries him about his performance, whether he should have been made a toon leader after all, and Bean thinks he's being baited.  Ender presses Bean to remember what the school is actually for, and Bean bursts out that it's about the war, and Ender agrees that this is why they're trying to hard to see if the students can break.
"They can't break you." 
"You'd be surprised."  Ender breathed sharply, suddenly, [...] Bean looked at him and realized that the impossible was happening.  Far from baiting him, Ender Wiggin was actually confiding in him.
Ender explains: Bean is research and development, toon leader of a special squad that's not so much Special Ops as Ridiculous Ops, because Ender realises he can't be the only source of genius in the army.
"What's the worst that could happen?  You lose one game." 
"Yes.  That's the worst that could happen.  I can't lose any games.  Because if I lose any---"
He doesn't explain, and I really wish he did.  (Bean wonders in Shadow, of course, particularly if this is just about Ender the Legendary Soldier.)  Earlier in this chapter, Ender looked at Carn Carby and tried to remember how to be dignified in defeat.  Now he's convinced that defeat means the end of all hope.  What has changed?  It's got to have something to do with the incoming war, the vids, everything.  Bonzo and Dinktron 4X are upset because of the game, while Ender trusts Bean because he remembers the alien menace, but Ender still can't afford to lose at laser tag.  The best I can slap together is the idea that Ender knows he has the potential to win everything, so if he ever loses, that means he has stopped trying as hard as he could, and he can't stop doing that because there is a war that he has to win.  That makes a certain amount of motivational sense if we assume both that Ender is right that he has the potential to beat every other commander under every possible circumstances, and that the battleroom still should be his priority while he learns more about aliens and actual space combat.  If he's wrong about either of those things, then losing a single match either means that someone else has skill comparable to his, or that he has intelligently put his efforts into fighting what he believes to be a war of survival instead of varsity laser tag.  I think these assumptions could probably use some contestation.

The lights go out; Ender gets into bed and Bean climbs in with him and for a change it doesn't brim with queer romance.  See, I don't read everything as gay.

Next week: Graff successfully reinstates gladiatorial arenas IN SPACE.

Thursday, July 4, 2013

50 Shades chapter 21 in which there is a lot of super boring sex.

Last chapter ended with Ana and Grey heading to the playroom, and this chapter opens with them getting down and dirty. It is by far the kinkiest sex they have had yet (nipple clamps, bondage, blindfolding, vibrator, and some anal play all in one session) and guys... I was bored. I can't even snark at it, I just had to force myself to not skip ahead to the end. The only point of note is that Grey commented "These toys you picked are not great for you, we need to start with other things" and swapped things around, and I appreciated him calmly, and without snark, explaining sexy time safety things with her.

After the kinky stuff, they have pretty normal sex, and Ana again is overcome with how much she loves him and how much has happened and once again, immediately after orgasm, starts to cry. Grey is, rightly so, alarmed and confounded. It's all just another chance for them to talk about how much they're in love/complete each other etc etc. More fucking and pillow talk. It's cute enough, but again, boring as hell.

Then Grey vanishes into his office to play some catch up while Ana makes lunch. We find out what the deal with Taylor's daughter last night (stomach bug that his ex thought was appendicitis), are reminded that Ana is going to see Kate in the near future (I am desperately hoping she and Elliot ALSO got engaged, not gonna lie ), and is excited to chat with Ana to tell her that) and then Grey hands Ana the phone. He called Ray.

Ana is, reasonably, pissed that she was not warned, but the conversation between the two, thought totally awkward and unrealistic, is kinda nice. "This is fast, I know he's well-to-do and eligible and everything but... so soon? Are you sure?" to which Ana's response is "He is the only one there ever has been or ever will be for me. He's my happily ever after, hellz yeah" and she sounds a lot like a 14 year old girl in love for the first time. Still, it's kind of sweet that his first concern is "are YOU sure?" and when Ana shows no hesitation, he doesn't fight back and gives his blessing.

So, after lunch, Grey asks Ana why she asked him not to take pictures because that is a really random and specific thing to ask for. Ana confesses she found the pictures.

His eyes widen in shock. “You’ve been in the safe?” he asks, incredulous.
“Safe? No. I didn’t know you had a safe.”


Someone moved them! Leila, he assumes, because those pictures (the women all knew he had them) were his insurance. If they exposed him, well, he had the means to expose them back. Grey offers to shred the pictures, and is off to work, excited when Ana says she'll bake him a cake (he requests chocolate, if anyone was curious).


With Grey gone, Ana calls her Mother, and... I thought my Mom reacted poorly when her first response to "I'm engaged" was to be mad at me for not telling her in person (we lived in different cities) then told me she'd hide it from my Dad so The Boy could ask permission, and then changed the topic from "I just got engaged" to "I'm still house hunting" and started stress crying over not having found the perfect house. That was my Mother's response, and I think Ana's Mother sounds like a downright nightmare. She accuses Ana of being pregnant (because she was knocked up when she got married with Ana), tells her it's too soon (admittedly, it IS), implies she's in it for the money, and starts bawling because her Dad is dead and repeatedly implies that Ana ruined her life to the point Ana point blank ASKS if she did (her Mother naturally tells her no but still, fuck), and then flakes off because her husband is calling. Just--wow. Poor Ana, no wonder she's so confused how to handle attention and affection from others.

Grey is back in the office, and Ana pokes her head in to let him know she's going to the store for some ingredients and he objects to her dress being too short and tells her to put on pants because apparently he's her Mom.

“What if we were at the beach?” I take a different tack.
“We’re not at the beach.”
“Would you object if we were at the beach?”
He considers this for a moment. “No,” he says simply.
I roll my eyes again and smirk at him. “Well, just imagine we are. Laters.” I turn and bolt for the foyer. I make it to the elevator before he catches up with me. As the doors close, I wave at him, grinning sweetly as he watches, helpless—but fortunately amused—with narrowed eyes. He shakes his head in exasperation, then I can see him no more.


Ana then immediately feels INTENSE FEAR because that was ballsy and risky and oh noes he'll be mad and she has so little experience with men! At the same time, she feels that she should be able to wear what ever the crap she wants, and is just conflicted. On route to the store she notices her bank account is 50k above what it should be, but rolls her eyes since this is just her life now. When she gets back, she apologizes, but so does Grey, admitting that she should wear what she wants (which is impressive) and they bone, AGAIN. That's like, the 12th time today. Just, ow. Chafing? No? Not an issue here ever? Okay, then.


There's some cake, they're schmoopy, and then off to his parents' place! Ana is reasonably nervous and excited about telling his family. I admit, I'm shocked (and kind of delighted) he hasn't gotten her a ring yet. I LIKE that he hasn't because you don't see that often, but I'm surprised he doesn't have one for her to show off to his family.

So, they get in, and before they can so much as say hello, Kate, furious, drags them both off to talk to them in private.

“What the fuck is this?” she hisses and waves a piece of paper at me. Completely at a loss, I take it from her and scan it quickly. My mouth dries. Holy shit. It’s my e-mail response to Christian, discussing the contract.

And that, boys and girls, is the end of chapter 21, and why you don't fucking print off private emails when you have a smartphone! Tune in next Thursday for THE FINAL CHAPTER! As always, comments help ease the liver pain! Till next week!