Showing posts with label sexy time?. Show all posts
Showing posts with label sexy time?. Show all posts

Sunday, November 16, 2014

The Eye of the World, chapters five, six, and seven, in which the plot begins

I started reading The Fault in our Stars this weekend, and while I don't think I could or would want to do a full series on it (most of all because I've never been directly impacted by someone's terminal disease before), I might toss a bonus post or two up about it sometime soon, because when it's good it's pretty dang good, and when it's bad it's all OH JOHN GREEN NO.  We'll see how the rest of the book goes first.

The Eye of the World: p. 62--103
Chapter Five: Winternight

Starting us off on a light but confusing note, the first page, describing the al'Thor house, looks like it's supposed to be full of double entendres:
Tam and Rang were considered out of the ordinary as much for being two men living alone as for farming in the Westwood.
'Alone' except for all the other bachelor merchants and farmboys who stop by to keep them company, of course.  Quite out of the ordinary, yes, quite strange, quite, quite queer.
The house was still in a tidy state of repair, the thatch tightly mended and the doors and shutters well-hung and snug-fitting.
Well, I mean, who doesn't like well-hung shutters snugly fitting into their tight thatch?

Apologies; I'm twelve.  Moving on.

They scope out the unspooked animals and the untainted well and decide the Black Rider wasn't here, set about doing various chores, keeping their bow and spear close at hand, making Traditional Fantasy Stew for dinner, et cetera, et cetera, pages of this.  When they finally head inside, it is extremely cozy and all the wars and magic feel very far away.  Dad al'Thor nevertheless locks the doors, for the first time in Rand's memory, because no one ever locks their doors, which causes me to wonder why they have locks at all.  Dad also busts out the secret family sword, which, by its slight curve (stop snickering), single sharp side, and heron designs, I'm guessing is a katana or wakizashi.  Robert Jordan is giving his Quaint English Whitebread farmboy hero a katana.

How exactly did all of these tropes get associated with fanfiction when best-selling authors with endless heaps of praise to their name have been doing it for years?  (Gatekeeping and sexism, the answers are gatekeeping and sexism.)

Dad al'Thor bought it a long time ago, although Mom disapproved, and he comments grimly about how impractical it is to a farmer's life and he should have given it away.  Obviously that means he's never practised all these years and so won't know what he's doing, right?  Nope.  A minotaur bursts through the locked door, Rand throws the kettle at it, and Dad kills it in a single thrust, and then the next one that comes in after it, instant-death blows that in the real world are generally reserved for decapitation.  Dad shouts for Rand to run and hide in the cold dark woods full of monsters.  Dad has made a series of bad decisions today and this might be a winner.  Rand scrambles out a window as monsters burst in the back door, there is much scurrying and echoes of steel hitting steel (so much for that beautiful unmangled sword), and Dad busts out the front window (inexplicably immune to glass shards) and leads the monsters off on a chase as Rand stumbles fearfully through the woods.  They reunite and Dad explains that the minotaurish things are Trollocs, our signature Always Chaotic Evil race.  (I have an asexual friend who remains delighted that this forms the acronym ACE.)

Dad's weak and bleeding, so Rand takes the sword and goes back to the farmhouse (sheep all slaughtered, house all wrecked) to get geared up.  One Trolloc turns out to have faked its death to lie in wait, and haltingly tells Rand to wait and talk to the Myrdraal that's coming, which is also called a Fade, so now we have two new Capitalised Names for one being without the slightest clue what it is.  (It is apparently a very tall monster.)  It then helps Rand perform the Traditional First Farmboy Hero Kill by leaping at him, and he gets his sword up just in time for it to impale itself as it tackles him to the floor.  He loots what he can from the ruin of their home, chops up a broken cart axle with the sword (even Rand realises this is improbable) and runs with it all back to Dad al'Thor, who is feverish and having nightmares and must be taken to Rivendell Emond's Field as soon as possible.

So, quaint rural homeland, Black Rider, slightly magic sword received from father figure, Morgul wound, orcs speaking the Black Tongue, need for a druid healer to cure a cursed wound... I mean, wow.  I honest to Eru Iluvatar did not expect Wheel of Time to be this severe a knockoff of Lord of the Rings.

Chapter Six: The Westwood

Rand binds his dad's wounds, al'Guyvers a stretcher out of the axles and blankets, and starts dragging him through the woods, with much narrative emphasis on how scary this is and he's only alive by luck and his sword-and-sorcery-adventure daydreams never involved anything this grim.  How old is Rand?  Sixteen?  I like him more the younger I picture him, because this all becomes more impressive and I have less desire to tell him to just shut up and do the job already.  He drags his dad through the woods (with constant yelps of pain when they go over rocks and roots).  From Dad al'Thor's epic babbling, he's either reciting legends or he had a much more heroic unmarried life than we were led to believe.  The Black Rider shows up on the road, leading the trollocs, but they go unnoticed.  Is the town screwed?  I think the town is screwed.  Especially once Rand starts extended descriptions of what the party will be like when everything settles down and they can finally take their new yacht for a spin after that police detective finishes his last day on the job.

Dad al'Thor is muttering more 'nonsense' about cuttings from the Tree of Life, Avendesora, which Rand al'Expositions to us belongs to the Green Man, who is also just legend (like trollocs, Rand admits).  He then fever-talks his way through a story of finding a baby in the snow after a battle and how he knew Kari wanted children and Rand is a good name, and Rand is genre-savvy enough to realise on the spot that this means he was adopted, which is on the one hand implausible and on the other hand oh thank god we're not having that drawn out too much.  I mean, if you must be that blatant, let the hero clue in as soon as the reader.

Chapter Seven: Out of the Woods

Is that a pun, because they're literally and figuratively out of the woods, or ironic, because things aren't going to get any better?  I appreciate good wordplay.  Good wordplay.

As day breaks and Rand is a hungry aching golem trudging through the woods, he finally reaches Emond's Field, which is indeed half burnt-down.  However, there are plenty of survivors picking through the wreckage, and Egwene leads them to Nynaeve, who takes a look at Dad al'Thor and reports that he's beyond any help she can give.  Tough luck, Tam.  At best you were going to be Obi-Wan, but it looks like you're Uncle Owen.  (Still a better role than Mother Organa.)  There is much milling and description and encounters with sympathetic villagers.  The mayor explains that the mysterious visitors are indeed and Aes Sedai and a Warder, and they saved what's left of the village via lightning magic and deadly swordplay, and finally someone remembers that Aes Sedai have healing magic as well.  But, despite the way Everyone Knows that women are the only ones who can safely use magic, Everyone Also Knows that you never want to get mixed up with their help, either, and Rand's first instinct is intense repulsion at the thought.  Even in a world where women are the preferred mages and they charge into battle to protect random villages from monsters, the menfolk might rather watch their father die from a Not-Morgul Blade wound than ask one for help.
Light, is there a story with an Aes Sedai where she isn't a villain?
I ask you.  If literally every story about Aes Sedai casts them as villains, they should be many times more terrifying than trollocs in the common consciousness, and yet still people talk about them fighting the evil False Dragons and such.  Moiraine just saved everyone's lives, so thinking she might help makes sense, but their response to her rescue wasn't 'Holy wonderballs, there's an Aes Sedai and she's helping us, oh my god, oh my god, what is this life', it was to get back to sifting the wreckage and leave her to burn the trolloc corpses with her buddy Lan.  They should be acting like Darth Vader showed up to save them all.  And then they start talking about how she's got healing magic, which--if Aes Sedai are in the habit of healing people in extreme circumstances, how do they have such a bad rep?  Are they all satanically going around demanding people's first-born children in exchange for curing a severe case of Legs Chopped Off?  Who invented this prejudice?

Rand finds them (Lan is busy with the trolloc bodies, having found sigils from seven separate clans now) and manages to ask for help from Moiraine, regardless of the cost.  She is of course happy to help (everyone else keeps refusing her), although she moves slowly, tired from all that magicking.  Lan remarks that "Even with an angreal, what she did last night was like running around the village with a sack of stones on her back", and for those of you who spend your time doing productive things unlike myself, I'll note that 'sangreal' is an old term for the Holy Grail, so we're still flush with random Arthurian references.

This is a bit of a short post, but that tends to be how it goes when chapters are 90% descriptions of settings and the way people are running around in them.  One of the explanations I heard for WOT's length, long ago, was that Robert Jordan only planned for it to be four books, but when they started selling so well he was asked to extend the series, and did so with gusto.  But we're more than a hundred pages in now and we're at the point I would probably have called the end of chapter two if I were writing this book, so I'm skeptical of this claim.  A lot of the material isn't bad, it's just filler, and not especially brilliant filler either.  There's some poetry, there's some realism, but it's also just very forgettable text.  I feel like this is the cheese sandwich of fantasy: popular, tasty enough, but just not that much going on except that afterwards you have food inside you.  The problem so far is that the worldbuilding doesn't really make sense yet and I don't care much about what happens to the sandwich, let alone whether the sandwich's father lives or dies.

Sunday, October 26, 2014

50 Shades Freed Chapter 1, in which, wait--we're skipping the wedding?

Will has been banished from the country, so today we have a 50 Shades post! Wait, 50 Shades and an Erika post? On a Sunday? The world has ceased to make sense, I know. Yes, I'm still around, but shortly after the last post I did my Grandfather had been given a few weeks to live, and being one of the few local relatives in town I've been pretty busy dealing with his death and taking care of my Grandmother. I'm hoping to get back into the saddle on 50 Shades soon, but my plate is loaded, so I'm just going to throw them up when I can and not try and claim a schedule until I build up a buffer.

Now, what you're here for. I got married almost a year ago (eep) and as such I expected this book to be all wedding planning and anticipation and excitement over THE BIG DAY. I was accused of being too easygoing and relaxed as a bride, and even I got swept up in it all. My own wedding planning experience was atypical, it was pretty smooth and low stress. I only got pushback on a few little things, there were no big fights or family drama*, and because I picked the off-season had vendors competing for my business. The day itself had no real snags. Despite that, I can off the top of my head think of a lot of opportunities for tension and drama and over the top fights with intense make up scenes because weddings and wedding planning brings out weird stuff in people. You know, what EL James thrives on. So, I'm confused. The wedding is skipped over almost entirely, and we get only a few little blips of wedding planning. EL James instead skips straight to THE HONEYMOON! Sort of. I will give her credit, she's learned at least one new trick between the second and third book, and that is how to write in non-linear time. We see the Greys on their honeymoon, but it's spliced with flashbacks to montage us from the engagement to the present.

“How would you feel if I went topless, like the other women on the beach?” I ask.“Displeased,” he says without hesitation. “I’m not very happy about you wearing so little right now.” He leans down and whispers in my ear. “Don’t push your luck.”“Is that a challenge, Mr. Grey?”“No. It’s a statement of fact, Mrs. Grey.”I sigh and shake my head. Oh, Christian . . . my possessive, jealous, control
freak Christian.

Yeah Ana, don't push your luck on doing what you want with your own body! And think it's cute when you're treated like you belong to another person, not yourself. I get it, referring to someone as "Mine" or being someone's is all so terribly romantic. It's not supposed to be about ownership, it's about love and passion etc etc etc. But it isn't here. Time and time again, we see Grey treating Ana as his property. He dictates how she dresses, how she eats, he gets angry when she goes out with other people and wants her to stop working. He especially dislikes Kate, who called him out on being so controlling and being concerned with how he was treating his property Ana. He also reminds her that she belongs to him a lot. Multiple times a chapter. She will sometimes smugly think "Well, he's mine" when other women gawk at Grey (so, every random woman extra they encounter) but the frequency doesn't line up, and Ana never tries to control who he sees.

The above bolded text isn't a cute challenge like the book will try to treat it, this is a command. And when Ana disobeys (she starts laying on her stomach but in her sleep rolls onto her back) he gets mad. HOW DARE OTHER PEOPLE SEE HIS WIFE'S BOOBZ! You know, ignoring the fact that they were making out in the water in plain sight so intensely people thought they were about to bone right then and there like ten minutes ago.

Now for the wedding. It takes place six months after the end of the last book, is held at Grey's parents place, and everything is white pink and silver, which is surprising to me because neither Ana nor Grey strike me as the pink type. I guess it was his Mom? The wedding is rushed through (K, you may now kiss the bride. Cool lets party. Kate says some vague snarky but supportive stuff, Jose basically reminds us he exists by telling Ana if Grey pulls anything he's here for her, silently implying he means with his junk, just, you know, a friendly open offer).  As Grey drags Ana off before she wants to leave, insisting she stay in her wedding dress (her's at least sounds moderately comfortable? Like, no mention of bodices and corset boning jabbing into her ribs) we get a quick exchange between Ana and her Mother (with Kate hovering around for reasons?).
“You didn’t promise to obey,” she reminds me tactfully. Kate tries to disguise her snort as a cough. I narrow my eyes at her. Neither she nor my mother have any idea of the fight Christian and I had about that. I don’t want to rehash that argument. Jeez, can my Fifty Shades sulk . . . and have nightmares. The memory is sobering.
This is going to be A Thing. Ana didn't promise to obey in her vows. Grey's response was to, like a mature adult, sulk.
“I can’t believe how grown-up you look right now. Beginning a new life . . .Just remember that men are from a different planet, and you’ll be fine.”I giggle. Christian is from a different universe, if only she knew.
TEE HEE BECAUSE ONLY ONE GENDER ARE REAL PEOPLE! Men are bad at feelings and women are irrational! Wimen maek babies and menz kill bear! Have I gotten regressive enough to keep up with this book yet?

So they bail on their own wedding party to go onto Grey's private jet (uggghhh) because they're on their way to Europe! All of it! Apparently there's a private room there where they bone. The sex scenes are somewhere between funny and boring to me now.

Leaving my breasts bereft he runs his hands down my stomach, over my belly, and down to my thighs, his thumbs skimming my sex.

Ana, you're a married woman now. You can say vagina. You could before, too. Here, try it with me: v-a-g-i-n-a. Vagina! PLEASE FOR THE LOVE OF GOD STOP CALLING IT YOUR SEX.
“This is like unwrapping my Christmas presents.” He smiles up at me through his long dark lashes.“A present you’ve had already . . .”He frowns in admonishment. “Oh no, baby. This time it’s really mine.”
He says to the girl whose Mother has been married three or four times. I don't even know what to do with this scene. If I were her editor I think I'd just send it back with a bunch of question marks scribbled on it. It's a lot of tongues invading and U MAEK ME THE HAPPIEST 5EVAR type thing and it's just--why is all of their sex like this? Even when they're being kinky and weird it comes back to ILY type things like all of their conversations and fights do. They just spend a lot of time saying how much they LURVE each other and I just--what else? You say you love each other and make each other happy, but short of sexy flirting they don't really talk unless they're fighting. This may be EL James' worst case of telling-not-showing.
His lips find mine, his hands curling around my head, holding me, stilling me as our tongues glory in each other.
Do you think she has a thesaurus collection? I bet she has a thesaurus collection.
He stands swiftly and in one efficient move dispenses with his pants and boxer briefs so that he’s gloriously naked and looming large and ready over me.
 It's even funnier if you imagine the music from 2001 Space Odyssey playing here.

It turns out we were getting this flashback via Ana napping on the beach, rather than EL James embracing that not all story telling needs to be perfectly linear (still an improvement!) and she's woken up riiight before she gets the D by Grey coming back to find her topless and on her back and he is PISSED, and that's the end of chapter 1! Tune in next time to find out what punishment Grey dishes up for Ana not listening to his orders which are totes only for her own good!

Oh, right, they've been calling each other Mr and Mrs. Grey or "wife" and "husband" non-stop. It's awful.

---

*Ok, my Grandmother straight up CAMPAIGNED against me on the "no kids" thing over one cousin, but she has yet to figure out that the second I realize someone is trying to guilt trip me I stop caring, so, eh. NBD.